painting | Modernist Architecture

Tadeusz Peiper’s “Malevich in Poland” (1927)

• October 22, 2010 • Leave a Comment

Posted in art, modernism, Russian avant-garde
Tags: Kasimir Malevich, Kazimir Malevich, Malevich, painting, Polish avant-garde, Polish modernism, Suprematism, Tadeusz Peiper, translation

Mieczysław Szczuka’s “Funeral of Suprematism” (1927)

• October 22, 2010 • Leave a Comment

Posted in art, modernism, Russian avant-garde
Tags: Kasimir Malevich, Kazimir Malevich, Mieczysław Szczuka, painting, Russian modernism, Suprematism, translation

Ernő Kállai’s “Painting and Photography” (1927)

• October 21, 2010 • Leave a Comment

Posted in art, Bauhaus, De Stijl, modernism, Russian avant-garde
Tags: Durer, Erno Kallai, Ernst Kallai, Lissitzky, modernism translation, Neue Sachlichkeit, painting, photography

Willi Baumeister’s, Adolf Behne’s, Max Burchartz’s, Will Grohmann’s, Wassily Kandinsky’s, Lajos Kassák’s, László Moholy-Nagy’s, Piet Mondrian’s, and Georg Muche’s “Debate on Ernő Kállai’s Article ‘Painting and Photography’” (1927)

• October 21, 2010 • Leave a Comment

Posted in art, Bauhaus, De Stijl, modernism, Russian avant-garde
Tags: Adolf Behne, facture, Georg Muche, internationalism, Lajos Kassak, Laszlo Moholy-Nagy, Max Burchartz, painting, photography, Piet Mondrian, theory of art, translation, Wassily Kandinsky, Will Grohmann, Willi Baumeister

Ernő Kállai’s “Reply to the Debate on My Article ‘Painting and Photography’” (1927)

• October 21, 2010 • Leave a Comment

Posted in art, Bauhaus, De Stijl, modernism, Russian avant-garde
Tags: debate, Erno Kallai, Ernst Kallai, facture, modernism, painting, photography, theory of art, translation

Marcel Janco’s “Reflections of Cubism” (1928)

• October 21, 2010 • 4 Comments

Posted in architecture, art, modernism
Tags: aesthetics, Braque, Cubism, Marcel Janco, modernism, painting, Picasso, translation

Exerpt from Ernő Kállai’s New Painting in Hungary (1925)

• October 21, 2010 • Leave a Comment

Posted in art, modernism
Tags: art theory, avant-garde, Erno Kallai, Ernst Kallai, Hungarian modernism, painting, translation

Jindřich Štyrský’s and Toyen’s “The Poet (Lecture Given on the Occasion of Exhibition Opening)” (1927-1928)

• October 21, 2010 • Leave a Comment

Posted in art, modernism
Tags: art theory, artificialism, Czech modernism, Jindrich Styrsky, modernism, painting, the poet, Toyen, translation

Theo van Doesburg “Painting and Sculpture: Elementarism (Fragment of a Manifesto)” (1927)

• October 19, 2010 • Leave a Comment

Posted in architecture, art, De Stijl, modernism
Tags: architecture, art, Dutch Modernism. De Stijl, Elementarism, Neoplasticism, painting, Theo van Doesburg

Theo van Doesburg’s “Painting: From Composition to Counter-Composition” (1925)

• October 19, 2010 • Leave a Comment

Posted in art, De Stijl, modernism
Tags: art, counter-composition, De Stijl, Dutch modernism, painting, Theo van Doesburg, translation

Piet Mondrian’s “Is Painting Secondary to Architecture?” (1923)

• October 18, 2010 • Leave a Comment

Posted in architecture, art, De Stijl, modernism
Tags: architecture, art, Neoplasticism, painting, Piet Mondrian, theory, translation

Theo van Doesburg’s “On looking at New Painting” (1918)

• October 17, 2010 • Leave a Comment

Posted in art, De Stijl, modernism
Tags: abstract art, aesthetics, Dutch modernism, painting, Theo van Doesburg, translation

Piet Mondrian’s “A Dialogue on Neoplasticism”

• October 17, 2010 • Leave a Comment

Posted in art, De Stijl, modernism
Tags: abstract art, dialog, dialogue, Dutch modernism, modern art, Neo-Plasticism, painting, Piet Mondrian, translation

Piet Mondrian’s Neoplasticism in Painting (1917-1918)

• October 17, 2010 • Leave a Comment

Posted in art, De Stijl, modernism
Tags: abstract art, Cezanne, De Stijl, Dutch modernism, history, Holland, modernism, Neo-Plasticism, painting, Piet Mondrian, translation, Van Gogh

Modernist Architecture

Tadeusz Peiper’s “Malevich in Poland” (1927)

Mieczysław Szczuka’s “Funeral of Suprematism” (1927)

Ernő Kállai’s “Painting and Photography” (1927)

Willi Baumeister’s, Adolf Behne’s, Max Burchartz’s, Will Grohmann’s, Wassily Kandinsky’s, Lajos Kassák’s, László Moholy-Nagy’s, Piet Mondrian’s, and Georg Muche’s “Debate on Ernő Kállai’s Article ‘Painting and Photography’” (1927)

Ernő Kállai’s “Reply to the Debate on My Article ‘Painting and Photography’” (1927)

Marcel Janco’s “Reflections of Cubism” (1928)

Exerpt from Ernő Kállai’s New Painting in Hungary (1925)

Jindřich Štyrský’s and Toyen’s “The Poet (Lecture Given on the Occasion of Exhibition Opening)” (1927-1928)

Theo van Doesburg “Painting and Sculpture: Elementarism (Fragment of a Manifesto)” (1927)

Theo van Doesburg’s “Painting: From Composition to Counter-Composition” (1925)

Piet Mondrian’s “Is Painting Secondary to Architecture?” (1923)

Theo van Doesburg’s “On looking at New Painting” (1918)

Piet Mondrian’s “A Dialogue on Neoplasticism”

Piet Mondrian’s Neoplasticism in Painting (1917-1918)

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