Kazimir Malevich’s “The Constructive Painting of Russian Artist and Constructivism” (1929)

• August 29, 2011 • 5 Comments

Kazimir Malevich’s “Painting and the Problem of Architecture” (1928)

• August 29, 2011 • 6 Comments

Alfréd Kemény’s “The Dynamic Principle of Cosmic Construction, as Related to the Functional Significance of Constructive Design” (1923)

• October 23, 2010 • Leave a Comment

Ernő Kállai’s (under the pen name Péter Mátyás’) “Lajos Kassák” (1921)

• October 22, 2010 • Leave a Comment

Ernő Kállai’s (pseudonym Péter Mátyás’) “Moholy-Nagy” (1921)

• October 22, 2010 • Leave a Comment

Lajos Kassák’s “To the Artists of All Nations!” (1920)

• October 22, 2010 • Leave a Comment

De Stijl, “A Short Review of the Proceedings [of the Congress of International Progressive Artists], Followed by the Statements Made by the Artists’ Groups” (1922)

• October 22, 2010 • 2 Comments

Walter Dexel’s “Theo van Doesburg” (1931)

• October 21, 2010 • Leave a Comment

Jindřich Štyrský’s and Toyen’s “Artificialism” (1927-1928)

• October 21, 2010 • 1 Comment

Lajos Kassák’s “Back to the Workbench” (1923)

• October 21, 2010 • Leave a Comment

Kurt Ewald’s “The Beauty of Machines” (1925-6)

• October 20, 2010 • 3 Comments

Theo van Doesburg’s “Elemental Formation” (1923)

• October 20, 2010 • Leave a Comment

Hans Richter’s G (1924)

• October 20, 2010 • Leave a Comment

Friedrich Vordemberge-Gildewart’s “incomparable mechanization” (1927)

• October 19, 2010 • 2 Comments

Cornelis van Eesteren’s “Ten years of ‘Stijl.’ Art, Technique, and Town Planning” (1927)

• October 19, 2010 • 3 Comments

Theo van Doesburg “De Stijl, Jubilee Number” (1927)

• October 19, 2010 • 2 Comments

Theo van Doesburg “Painting and Sculpture: Elementarism (Fragment of a Manifesto)” (1927)

• October 19, 2010 • 1 Comment

Theo van Doesburg’s “Painting: From Composition to Counter-Composition” (1925)

• October 19, 2010 • Leave a Comment

Piet Mondrian’s “No Axiom but the Plastic” (1923)

• October 19, 2010 • 1 Comment

Piet Mondrian’s “Is Painting Secondary to Architecture?” (1923)

• October 18, 2010 • Leave a Comment

“De Stijl 1917-1922 and Its Movement in: Painting — Architecture — Sculpture — Monumental Art — Music — Literature — Anti-Philosophy — Mechanism — Objects-Dance” (1922)

• October 18, 2010 • Leave a Comment

Theo van Doesburg’s “Against Imitative Artists”

• October 18, 2010 • Leave a Comment

Theo van Doesburg’s “Thought — Perception — Plasticism” (1918)

• October 17, 2010 • Leave a Comment

Piet Mondrian’s “The Determinate and the Indeterminate (Supplement)” (1918)

• October 17, 2010 • 1 Comment