Archive for October, 2010

Moisei Ginzburg’s “Contemporary Architecture in Russia” (1928)

• October 31, 2010 • 2 Comments

Arthur Korn’s “Analytical and Utopian Architecture” (1923)

• October 31, 2010 • Leave a Comment

Walter Gropius’ “Appraisal of the Development of Modern Architecture” (1934)

• October 29, 2010 • Leave a Comment

Walter Gropius’ “Sociological Premises for the Minimum Dwelling of Urban Industrial Populations” (1929)

• October 28, 2010 • 3 Comments

Walter Gropius’ “Houses, Walk-ups or High-rise Apartment Blocks?” (1931)

• October 28, 2010 • Leave a Comment

Walter Gropius’ “Housing Industry” (1924)

• October 28, 2010 • 3 Comments

АСНОВА, «Идеологическая-Теоретическая-Методологическая И.Т.М. секция АСНОВА» (1927)

• October 28, 2010 • Leave a Comment

АСНОВА, «Доклад АСНОВА» (1926 г.)

• October 28, 2010 • Leave a Comment

Walter Gropius’ The New Architecture and the Bauhaus (1925)

• October 28, 2010 • 4 Comments

Karel Teige’s “Mundaneum” (1929)

• October 27, 2010 • 3 Comments

Le Corbusier’s “In Defense of Architecture” (1929)

• October 27, 2010 • 2 Comments

El Lissitzky’s The Reconstruction of Architecture in the Soviet Union (1929)

• October 27, 2010 • 5 Comments

Karel Teige’s Modern Architecture in Czechoslovakia (1929)

• October 26, 2010 • 6 Comments

Ludwig Mies van der Rohe’s “Art Criticism” (1930)

• October 25, 2010 • Leave a Comment

Ludwig Mies van der Rohe’s “The New Era” (1930)

• October 25, 2010 • 1 Comment

Ludwig Mies van Der Rohe’s “Expositions” (1928)

• October 25, 2010 • 1 Comment

Ludwig Mies van der Rohe’s “Policy of the Stuttgart Exhibition” (1927)

• October 25, 2010 • 2 Comments

Ludwig Mies van der Rohe’s “A Letter on Form in Architecture” (1924)

• October 25, 2010 • Leave a Comment

Ludwig Mies van der Rohe’s “Architecture and the Times” (1924)

• October 25, 2010 • Leave a Comment

Ludwig Mies van der Rohe’s “The Industrialization of Building Methods” (1924)

• October 25, 2010 • Leave a Comment

Ludwig Mies van der Rohe’s “Aphorisms on Architecture and Form” (1923)

• October 25, 2010 • Leave a Comment

Ludwig Mies van der Rohe’s “The Office Building” (1923)

• October 25, 2010 • Leave a Comment

Ludwig Mies van der Rohe’s “Two Glass Skyscrapers” (1922)

• October 25, 2010 • Leave a Comment

Николай Ладовский, «Психотехническая лаборатория архитектуры (в порядке постановки вопроса)» (1926 г.)

• October 24, 2010 • Leave a Comment

Николай Ладовский, «Об организации восприятия пространтсвенных величин и обьектов» (1929 г.)

• October 24, 2010 • Leave a Comment

Николаий Ладовский, «О динамической планировочной структуре города» (1930 г.)

• October 24, 2010 • Leave a Comment

Николай Ладовский, «О перспективах стандартизации жилищного строительства» (1930 г.)

• October 24, 2010 • Leave a Comment

Николай Ладовский, «Планировка Автостроя и Магнитогорска в вузе» (1931 г.)

• October 24, 2010 • Leave a Comment

Sigfried Giedion’s “Live Museum” (1929)

• October 24, 2010 • 1 Comment

Traugott Schakher’s “El Lissitzky” (1928)

• October 24, 2010 • Leave a Comment

Ernő Kállai’s “El Lissitzky” (1924)

• October 24, 2010 • Leave a Comment

Ernő Kállai’s “Lissitzky” (1922)

• October 24, 2010 • 4 Comments

The Editors of Blok’s “What Constructivism Is” (1924)

• October 23, 2010 • Leave a Comment

Mieczysław Szczuka’s “An Attempt to Explain the Misunderstanding Related to the Public’s Attitude to New Art” (1924)

• October 23, 2010 • Leave a Comment

Henryk Stazewski’s “Untitled Statements on Suprematism and Painting” (1924)

• October 23, 2010 • Leave a Comment

The Editors of Blok’s “Editorial Statement” (1924)

• October 23, 2010 • Leave a Comment

Hans Richter’s “Toward Constructivism” (1924)

• October 23, 2010 • Leave a Comment

Hans Richter’s “Prague” (1924)

• October 23, 2010 • Leave a Comment

Alfréd Kemény “Abstract Design from Suprematism to the Present” (1924)

• October 23, 2010 • 2 Comments

Alfréd Kemény’s “The Dynamic Principle of Cosmic Construction, as Related to the Functional Significance of Constructive Design” (1923)

• October 23, 2010 • Leave a Comment

Alfréd Kemény’s “Constructivist Art and Péri’s Spatial Constructions” (1923)

• October 23, 2010 • Leave a Comment

Henryk Berlewi’s “The Arts Abroad” (1922-23)

• October 23, 2010 • Leave a Comment

Ernő Kállai’s “Herwarth Walden” (1928)

• October 23, 2010 • Leave a Comment

Farkas Molnár’s “Life at the Bauhaus” (1925)

• October 23, 2010 • 2 Comments

Mart Stam’s “Three Houses at the Stuttgart Exhibition” (1927)

• October 23, 2010 • 2 Comments

Mart Stam’s “Makeyekvka” (1932)

• October 23, 2010 • Leave a Comment

Mart Stam’s “Scale — Right Scale — Minimum Scale” (1929)

• October 23, 2010 • 2 Comments

Mart Stam’s “M-Art” (1927)

• October 23, 2010 • Leave a Comment

Mart Stam’s “Space” (1925)

• October 23, 2010 • 4 Comments

Endre Gáspár’s “The Hungarian Activist Movement” (1924)

• October 23, 2010 • Leave a Comment

Ernő Kállai’s, Alfréd Kemény’s, László Moholy-Nagy’s, and László Péri’s “Manifesto” (1923)

• October 22, 2010 • Leave a Comment

Ernő Kállai’s “Correction (To the Attention of De Stijl)” (1923)

• October 22, 2010 • Leave a Comment

Ernő Kállai’s “Constructivism” (1923)

• October 22, 2010 • Leave a Comment

Lajos Kassák’s “Picture-Architecture” (1922)

• October 22, 2010 • Leave a Comment

Ernő Kállai’s (under the pen name Péter Mátyás’) “Lajos Kassák” (1921)

• October 22, 2010 • Leave a Comment

Ernő Kállai’s (pseudonym Péter Mátyás’) “Moholy-Nagy” (1921)

• October 22, 2010 • Leave a Comment

Lajos Kassák’s “To the Artists of All Nations!” (1920)

• October 22, 2010 • Leave a Comment

Arthur Holitscher’s “Statement” on the Catalogue of the First Exhibition of Russian Art, Van Diemen Gallery, Berlin (1922)

• October 22, 2010 • Leave a Comment

David Shterenberg’s “Foreword” to the Catalogue of the First Exhibition of Russian Art, Van Diemen Gallery, Berlin (1922)

• October 22, 2010 • Leave a Comment

Branko Ve Poljanski’s “Through the Russian Exhibition” (1923)

• October 22, 2010 • 4 Comments

Alfréd Kemény’s “Notes to the Russian Artists’ Exhibition in Berlin” (1923)

• October 22, 2010 • Leave a Comment

Ernő Kállai’s “The Russian Exhibition in Berlin” (1923)

• October 22, 2010 • Leave a Comment

Lajos Kassák’s “The Russian Exhibit in Berlin” (1922)

• October 22, 2010 • Leave a Comment

Adolf Behne’s “On the Russian Exhibition” (1922)

• October 22, 2010 • 4 Comments

Paul Westheim’s “The Exhibition of Russian Artists” (1922)

• October 22, 2010 • 4 Comments

De Stijl, “A Short Review of the Proceedings [of the Congress of International Progressive Artists], Followed by the Statements Made by the Artists’ Groups” (1922)

• October 22, 2010 • 2 Comments

Lajos Kassák’s, Sándor Barta’s, János Mácza’s, Endre Gáspár’s, László Moholy-Nagy’s, Ernő Kállai’s, Jolán Simon’s, Lajos Kudlák’s, and Erzsébet Ujvári’s “The Stand Taken by the Vienna MA Group Toward the First Düsseldorf Congress of Progressive Artists” (1922)

• October 22, 2010 • 3 Comments

Henryk Berlewi’s “The International Exhibition in Düsseldorf” (1922)

• October 22, 2010 • Leave a Comment

Wtadysław Strzemiński, et. al.’s “Communiqué of the Group ‘a.r.’” (1930)

• October 22, 2010 • Leave a Comment

Mart Stam’s “Collective Design” (1925)

• October 22, 2010 • Leave a Comment

Tadeusz Peiper’s “Malevich in Poland” (1927)

• October 22, 2010 • Leave a Comment

Mieczysław Szczuka’s “Funeral of Suprematism” (1927)

• October 22, 2010 • Leave a Comment

Mieczysław Szczuka’s “Art and Reality” (1927)

• October 22, 2010 • 2 Comments

El Lissitzky’s “Architecture in the USSR” (1925)

• October 21, 2010 • 2 Comments

The Left Front’s “Founding Manifesto” (1929)

• October 21, 2010 • 2 Comments

László Moholy-Nagy’s “Photography Unparalleled” (1927)

• October 21, 2010 • Leave a Comment

Ernő Kállai’s “Painting and Photography” (1927)

• October 21, 2010 • Leave a Comment

Willi Baumeister’s, Adolf Behne’s, Max Burchartz’s, Will Grohmann’s, Wassily Kandinsky’s, Lajos Kassák’s, László Moholy-Nagy’s, Piet Mondrian’s, and Georg Muche’s “Debate on Ernő Kállai’s Article ‘Painting and Photography’” (1927)

• October 21, 2010 • Leave a Comment

Ernő Kállai’s “Reply to the Debate on My Article ‘Painting and Photography’” (1927)

• October 21, 2010 • Leave a Comment

Walter Riezler’s “‘Form,’ Photo, and Film” (1929)

• October 21, 2010 • Leave a Comment

Marcel Janco’s “Reflections of Cubism” (1928)

• October 21, 2010 • 4 Comments

Ernő Kállai’s “Art and the General Public” (1929)

• October 21, 2010 • Leave a Comment

Ernő Kállai’s “Vision and the Law of Form” (1930)

• October 21, 2010 • Leave a Comment

Walter Dexel’s “Theo van Doesburg” (1931)

• October 21, 2010 • Leave a Comment

Karel Teige’s “Poetism” (1924)

• October 21, 2010 • Leave a Comment

Jindřich Štyrský’s and Toyen’s “Artificialism” (1927-1928)

• October 21, 2010 • 1 Comment

Exerpt from Ernő Kállai’s New Painting in Hungary (1925)

• October 21, 2010 • Leave a Comment

Ernő Kállai’s “The Twilight of Ideologies” (1925)

• October 21, 2010 • Leave a Comment

Ernő Kállai’s “Architecture” (1924)

• October 21, 2010 • Leave a Comment

Lajos Kassák’s “Back to the Workbench” (1923)

• October 21, 2010 • Leave a Comment

Excerpts from Karel Teige’s “Poetism Manifesto” (1928)

• October 21, 2010 • 2 Comments

Jindřich Štyrský’s and Toyen’s “The Poet (Lecture Given on the Occasion of Exhibition Opening)” (1927-1928)

• October 21, 2010 • Leave a Comment

Tadeusz Peiper’s “At the Bauhaus” (1927)

• October 21, 2010 • 1 Comment

Karel Teige’s “Ten Years of the Bauhaus” (1929-1930)

• October 21, 2010 • 2 Comments

Exerpts from Ernő Kállai’s “Ten Years of Bauhaus” (1930)

• October 21, 2010 • 3 Comments

Kurt Ewald’s “The Beauty of Machines” (1925-6)

• October 20, 2010 • 3 Comments

Le Corbusier’s “The Atmosphere of Moscow,” along with His Letter to Ginzburg on Deurbanization (1930)

• October 20, 2010 • Leave a Comment

Theo van Doesburg’s, László Moholy-Nagy’s, Hans Arp’s, and Ivan Puni’s “A Call for an Elementarist Art” (1921)

• October 20, 2010 • 1 Comment

Theo van Doesburg’s “Elemental Formation” (1923)

• October 20, 2010 • Leave a Comment

Hans Richter’s G (1924)

• October 20, 2010 • Leave a Comment

Ludwig Hilberseimer’s “Construction and Form” (1924)

• October 20, 2010 • Leave a Comment

Michel Seuphor’s “In Defense of an Architecture” (1930)

• October 20, 2010 • Leave a Comment

Karel Teige’s “Constructivism and the Liquidation of ‘Art’” (1925)

• October 20, 2010 • 3 Comments

Hannes Meyer’s “bauhaus and society” (1929)

• October 20, 2010 • 4 Comments

Hannes Meyer’s “building” (1928)

• October 20, 2010 • 4 Comments

Hannes Meyer’s “The New World” (1926)

• October 20, 2010 • 4 Comments

A. Gatman’s “Hannes Meyer on the Bauhaus at Moscow” (1930)

• October 20, 2010 • Leave a Comment

Anonymous from Novosibirsk, “On the Subject of Discussions Concerning Russian Architecture”

• October 20, 2010 • Leave a Comment

“Reports from Moscow: Taut’s Return from Moscow” (1933)

• October 20, 2010 • Leave a Comment

Hans Schmidt’s “The Soviet Union and Modern Architecture” (1932)

• October 20, 2010 • Leave a Comment

Hannes Meyer’s “Construction, Construction Workers, and Technicians in the Soviet Union” (1931)

• October 20, 2010 • Leave a Comment

Martin Wagner’s “Russia Builds Cities” (1931)

• October 20, 2010 • 2 Comments

Ernst May’s “City Building in the USSR” (1931)

• October 20, 2010 • Leave a Comment

Wilm Stein’s “Experiment: ‘Socialist Cities’: Realization of Communes too Expensive — Therefore Postponed” (1931)

• October 20, 2010 • Leave a Comment

M. Ilyin’s “Moscow: Russian Urbanism” (1931)

• October 20, 2010 • Leave a Comment

Karel Teige’s “Contemporary International Architecture” (1928)

• October 20, 2010 • Leave a Comment

P. Martell’s “Legislation Concerning Residential Development in the Soviet Union” (1928)

• October 20, 2010 • Leave a Comment

Jiří Kroha’s “Ideology of Architecture” (1933)

• October 20, 2010 • Leave a Comment

Walter Riezler’s “The Fight for German Culture” (1932)

• October 20, 2010 • Leave a Comment

Ernst May’s “Flats for Subsistence Living” (1929)

• October 20, 2010 • 2 Comments

Bruno Taut’s “Five Points” (1929)

• October 20, 2010 • Leave a Comment

Walter Riezler’s “The Purpose and Concept of Technical Beauty” (1928)

• October 20, 2010 • Leave a Comment

Gerrit Rietveld, “Utility, Construction: (Beauty, Art)” (1927)

• October 20, 2010 • Leave a Comment

Werner Gräff’s “‘The Dwelling,’ Weissenhof Exhibition” (1927)

• October 20, 2010 • 2 Comments

Georg Muche’s “Fine Art and Industrial Form” (1926)

• October 20, 2010 • Leave a Comment

Walter Curt Behrendt’s “The State of the Arts and Crafts” (1925-6)

• October 20, 2010 • Leave a Comment

Le Corbusier’s “Words” (1925)

• October 20, 2010 • Leave a Comment

Le Corbusier’s “A Single Trade” (1925)

• October 20, 2010 • Leave a Comment

Le Corbusier’s “Mass-Produced Buildings” (1924)

• October 20, 2010 • 2 Comments

Le Corbusier’s “The New Spirit in Architecture” (1924)

• October 20, 2010 • Leave a Comment

J.J.P. Oud’s “Architecture and Standardization in Mass Construction” (1918)

• October 20, 2010 • 2 Comments

Gerrit Rietveld’s “New Functionalism in Dutch Architecture” (1932)

• October 20, 2010 • 2 Comments

Walter Curt Behrendt’s The Victory of the New Building Style (1928)

• October 19, 2010 • 4 Comments

Adolf Behne’s The Modern Functional Building (1926)

• October 19, 2010 • 4 Comments

Theo van Doesburg, “The Capital vs. the Countryside: OSA’s Propaganda for a Modern Community Architecture” (1929)

• October 19, 2010 • Leave a Comment

Theo van Doesburg’s “Abstraction, Dream, and Utopia: Conflicting Movements in Russian Architecture” (1928)

• October 19, 2010 • Leave a Comment

“Architecture and Revolution — Revolutionary Architecture? Utopian designs by Tatlin, Lissitzky, and Others” (1928)

• October 19, 2010 • 1 Comment

Theo van Doesburg’s “elementarism” (1930)

• October 19, 2010 • 1 Comment

Theo van Doesburg’s “Notes on L’Aubette at Strasbourg” (1928)

• October 19, 2010 • 1 Comment

Friedrich Vordemberge-Gildewart’s “incomparable mechanization” (1927)

• October 19, 2010 • 2 Comments

Cornelis van Eesteren’s “Ten years of ‘Stijl.’ Art, Technique, and Town Planning” (1927)

• October 19, 2010 • 3 Comments

Theo van Doesburg “De Stijl, Jubilee Number” (1927)

• October 19, 2010 • 2 Comments

Theo van Doesburg “Painting and Sculpture: Elementarism (Fragment of a Manifesto)” (1927)

• October 19, 2010 • 1 Comment

I.K. Bonset’s “about the sense of literature” (1927)

• October 19, 2010 • Leave a Comment

Theo van Doesburg “Painting and Sculpture: About Counter-composition and Counter-Sculpture. Elementarism (Fragment of a Manifesto)” (1926)

• October 19, 2010 • Leave a Comment

Theo van Doesburg’s “Painting: From Composition to Counter-Composition” (1925)

• October 19, 2010 • Leave a Comment

Piet Mondrian’s “No Axiom but the Plastic” (1923)

• October 19, 2010 • 1 Comment

Theo van Doesburg’s “Towards a Plastic Architecture” (1924)

• October 19, 2010 • 6 Comments

Piet Mondrian’s “Is Painting Secondary to Architecture?” (1923)

• October 18, 2010 • Leave a Comment

Theo van Doesburg’s “From the New Aesthetic to its Material Realization”

• October 18, 2010 • 4 Comments